About My Big Fat Greek Wedding 2

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Comment For Stream My Big Fat Greek Wedding 2 Film Complet Entier VF En Francais

Name : Stephanie Merry / Alias : Washington Post
With so many warmed-over jokes, you'd think that the delivery would at least be on point. But everything, including the timing, feels off.

Name : Jeannette Catsoulis / Alias : New York Times
Even those who have spent the last 14 years pining for a sequel to "My Big Fat Greek Wedding" - by most accounts, the highest-grossing American romantic comedy - will rue that longing when they experience "My Big Fat Greek Wedding 2."

Name : Bilge Ebiri / Alias : Village Voice
It's a nice movie. Not a good one, or a well-made one, or a smart one, but a nice one.

Name : Sara Stewart / Alias : New York Post
It's understandable that creator/writer Nia Vardalos would come back for seconds with "My Big Fat Greek Wedding 2" . but 14 years later, this reunion of cuddly-but-tiresome stereotypes makes you wish she'd left well enough alone.

Name : Peter Travers / Alias : Rolling Stone
What once bubbled up from a sincere love of Greek family has now congealed into the all-too-familiar Hollywood tale of milking a cash cow until it cries for mercy.

Name : Adam Graham / Alias : Detroit News
It's a big fat Greek dud.

Name : Tim Cogshell / Alias : TheWrap
It's sweet, just like the original movie. It was faint praise then, and it still is.

Name : Randy Cordova / Alias : Arizona Republic
The movie wheezes about, with actors offering spit takes (Vardalos) and getting hit in the head with volleyballs (Vardalos again). When those moments don't elicit laughs, you are left with awkward silences that just hang in the air. That happens a lot .

Name : Richard Roeper / Alias : Chicago Sun-Times
Vardalos is wonderful, and 88-year-old Michael Constantine casually pockets every scene he's in.

Name : Stephen Whitty / Alias : Newark Star-Ledger
How about we push back from the table and go home? This may be Vardalos' all-you-can-eat Greek buffet, but you know what? This really is all I can eat.

Name : Rebecca Keegan / Alias : Los Angeles Times
The sequel is a little like a bear hug from a beloved old relative - the embrace is too tight, the perfume is too strong, but ultimately it still leaves you feeling good inside.

Name : Kate Lloyd / Alias : Time Out
Feels like you're watching an entire season of Modern Family in fast-forward

Name : Liz Braun / Alias : Toronto Sun
The movie has Andrea Martin, who returns as bossy Aunt Voula, sometimes dispensing her gonzo brand of sexual advice and sometimes confiding her list of bizarre medical curiosities. She alone may be worth the price of admission.

Name : Tirdad Derakhshani / Alias : Philadelphia Inquirer
Predictable, tired, formulaic, it makes up for its lack of originality with a bigger budget, louder jokes, louder costumes, and louder music.

Name : Peter Howell / Alias : Toronto Star
Those who loved the original should at least like the sequel, which remarkably has reunited all of the players from the oversized cast.

Name : James Berardinelli / Alias : ReelViews
What we're left with is something that recalls Crocodile Dundee in L.A. - the misbegotten notion that bringing back characters long past their sell-by date is a good idea.

Name : Christy Lemire / Alias : RogerEbert.com
Gags get piled upon gags with relentless frenzy and results that are overbearing rather than uproarious. You can rely on every character to behave the exactly the same way every time, regardless of the situation, and that way is usually obnoxious.

Name : Leah Pickett / Alias : Chicago Reader
This unnecessary sequel reunites most of the cast from the 2002 indie sensation and then lazily recycles its narrative, score, themes, catchphrases, and sight gags almost beat for beat.

Name : Devan Coggan / Alias : Entertainment Weekly
A tired and unnecessary retread that not even a healthy spritz of Windex can cure.

Name : Kate Taylor / Alias : Globe and Mail
Pass the baklava.

Name : Mara Reinstein / Alias : Us Weekly
All the plots are blah sitcom material, at best - and there's a reason why Vardalos' CBS spinoff, My Big Fat Greek Life, lasted all of seven episodes back in 2003.

Name : Jesse Hassenger / Alias : AV Club
Jones has limited ideas about funny staging. His go-to move is mashing two to 10 people together into an awkward scrum, then cutting to Vardalos or Paris watching with wide-eyed discomfort.

Name : Rafer Guzman / Alias : Newsday
Old jokes and little plot, but the charming original cast almost compensates.

Name : Tom Russo / Alias : Boston Globe
Some elements are even broader while a couple, welcomely, are emotionally truer to life. If you appreciated the first movie's sweetness, then you'll likely be charmed enough.

Name : Moira MacDonald / Alias : Seattle Times
Vardalos has created a community of characters and players so likable, it seems almost mean to criticize - like picking on one's own annoying but beloved relatives.

Name : Joe Dziemianowicz / Alias : New York Daily News
"My Big Fat Greek Wedding 2" is like baklava. It's light, sweet and nutty. But after indulging you might ask yourself, "Did I really need that?"

Name : David Ehrlich / Alias : Slate
I'm sure there are knowing smiles of recognition that are reserved here for people raised in traditional Greek families, but it's hard to feel like you're missing any of the jokes when every punch line is practically written out on cue cards.

Name : Frank Scheck / Alias : Hollywood Reporter
Vardalos and Corbett display the relaxed romantic chemistry that made them so endearing to audiences in the first film.

Name : Scott Tobias / Alias : NPR
It's comforting to break bread in Vardalos' cheery Chicago enclave again, even if you're being served yesterday's dinner out of the microwave.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It shows us a world where every family problem can be fixed by hugging or buttering garlic bread. There's certainly an audience for that. All others, be warned.

Name : Mick LaSalle / Alias : San Francisco Chronicle
In truth, "My Big Fat Greek Wedding 2" is an excruciating grind, just scene after scene of people creating disturbance over tiny matters, fighting over nothing, and making Toula clean up after them.

Name : Geoff Berkshire / Alias : Variety
This 14-years-later sequel is every bit as sitcom-ish and saccharine as its predecessor, but considerably less distinctive.

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About Jason Bourne

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About The D Train

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Comment For Regarder Imdb The D Train Movie

Name : Peter Travers / Alias : Rolling Stone
Some critics are getting all up in the face of this audacious dark comedy for, well, being audacious. What are we supposed think about a movie that doesn't conform to formula? I'd start with grateful.

Name : Claudia Puig / Alias : USA Today
The D Train is long on high-concept comedy, then runs out of steam and becomes a forced and far-fetched drama.

Name : James Rocchi / Alias : TheWrap
Black gives a career-highlight performance as an all-too-regular-guy tripped up by fame, fear, bad high school memories and a diabolically charming James Marsden in a strange, sharp comedy.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
While Black is painfully effective as the dork who drops slangy kudos on his new BFF, Marsden is a revelation.

Name : Kyle Smith / Alias : New York Post
"The D Train" is a good-humored, warm-hearted movie in which Black, as usual, excels.

Name : Richard Brody / Alias : New Yorker
[A] queasy, schematic, wanly sentimental comedy .

Name : Rene Rodriguez / Alias : Miami Herald
The movie flirts with a great darkness about disillusionment and self-loathing even as it races around spinning comedic plates. Too bad the filmmakers lose their nerve by film's end.

Name : Rafer Guzman / Alias : Newsday
"The D Train" may be a scant and rather unconvincing comedy, but it deserves credit for taking a risk.

Name : Manohla Dargis / Alias : New York Times
For long stretches, "The D Train" serves as a commodious vehicle for Mr. Black, who, like the best comic performers, never seems remotely concerned about going too big or risking the audience's love.

Name : James Berardinelli / Alias : ReelViews
Andrew Mogel and Jarrad Paul, making their directorial debut, manage the difficult task of keeping the audience engaged even though both of the main characters are unlikable.

Name : Mick LaSalle / Alias : San Francisco Chronicle
It should be obvious by now that Black is much more than a funny fellow. This is a good actor with a particular strength at playing protected, disturbed personalities - secretly angry people trying with all their might to be something they're not.

Name : Richard Roeper / Alias : Chicago Sun-Times
Nothing about "The D Train" feels the least bit authentic, and worse, little about it is funny. That's a deadly recipe for a dark comedy.

Name : Sandy Cohen / Alias : Associated Press
The issue is the story. It's not just uneven, it's often unfunny: tinged with homophobia and centered on a wholly unlikeable, self-absorbed man.

Name : Mark Jenkins / Alias : NPR
The filmmakers proceed as if they're making a conventional high-school comedy, papering over the holes in the script with pop songs.

Name : Rex Reed / Alias : New York Observer
So many t's are uncrossed and i's undotted that the movie is a mess. Still, I was fascinated by what it might have been.

Name : Justin Chang / Alias : Variety
Edgy and soft, audacious and coy, a largely enjoyable letdown.

Name : Ben Sachs / Alias : Chicago Reader
For a vulgar American comedy, this is refreshingly low-key and generous. I admired its intentions without finding it all that funny.

Name : Alan Scherstuhl / Alias : Village Voice
The D Train has one great idea, a couple strong jokes, and a void at its center - a man who is only believable when he briefly becomes specific.

Name : Tom Long / Alias : Detroit News
A cringe-filled comic rumination on the cost of being cool, "The D Train" starts out as straight silliness and then turns to more aching matters.

Name : David Ehrlich / Alias : Time Out
The D Train ultimately generates so few laughs from its thin "be yourself" message that a commendable refusal to gawk at the gay stuff is all that keeps it on track.

Name : Tom Russo / Alias : Boston Globe
Any real resonance gets swallowed up by a story that's excruciatingly uncomfortable rather than genuinely funny.

Name : Ann Hornaday / Alias : Washington Post
"The D Train" is far from perfect - up to and including the waste of Kathryn Hahn in a lifeless, stereotypical role as Dan's wife - but it has its moments. And most of them belong to Marsden.

Name : Colin Covert / Alias : Minneapolis Star Tribune
A bromantic comedy with a sharp edge of melancholy, this indie casts Jack Black and James Marsden in the sort of parts they play frequently, then pushes them toward pathos.

Name : Mike D'Angelo / Alias : AV Club
It's a mess, but it's a commendable mess. Bonus points for ambition and nerve.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
The last act of The D Train becomes a hilarious, deeply weird, and ultimately touching medley of delusion, humiliation, and friendship.

Name : John Anderson / Alias : Wall Street Journal
While it dwells in a much darker realm than American humor generally ventures into, what it uncovers is worth a stare. Maybe even a shudder.

Name : Katharine Pushkar / Alias : New York Daily News
Black's narcissistic, obsessive, stunted Dan is so careless about all his relationships - with his wife, son, boss - that you wonder how he ever had them in the first place.

Name : Todd McCarthy / Alias : Hollywood Reporter
Some may buy it, but from several perspectives what takes place simply seems beyond the pale dramatically; it's hard to believe things would go as far as they do.

Name : Barbara VanDenburgh / Alias : Arizona Republic
The film goes off the beaten path to tell a very familiar story in an unfamiliar way, turning the mismatched buddy dynamic Black and Marsden had developed into something much more complicated and interesting.

Name : Robert Abele / Alias : Los Angeles Times
A recognizably delusional schlub sits at the center of the loser comedy "The D Train," thanks to the sad-sack acumen of Jack Black.

Name : Moira MacDonald / Alias : Seattle Times
Writer/directors Jarrad Paul and Andrew Mogel let the movie run out of steam a bit before its ending (things get weirdly gooey), but Black keeps us hanging on as "The D Train" swerves; you hope that, somehow, he'll get through the journey safely.

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