About Dope

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Name : Soren Anderson / Alias : Seattle Times
Moore, who's done some TV work and is also a singer and dancer, emerges as a genuine movie star in "Dope." He's very good looking and has charisma to burn, and he controls the screen in every scene he's in. Which is practically every scene.

Name : A.O. Scott / Alias : New York Times
Mr. Famuyiwa . shoves disparate genre elements together as if pulling jigsaw puzzle pieces from a half-dozen different boxes, and if the finished work isn't quite convincing, it's still fun to look at.

Name : James Berardinelli / Alias : ReelViews
The film's ability to confound expectations while delivering some big laughs may be its most crowd-pleasing characteristic but the anti-stereotype message rings clear as a bell throughout.

Name : Randy Myers / Alias : San Jose Mercury News
While Famuyiwa deserves the lion's share of acclaim for making "Dope" such an inventive, hyperactive and electrifying comedy, it is Moore who gives "Dope" its big heart.

Name : Peter Howell / Alias : Toronto Star
A narrative as freewheeling as this one might ordinarily daze and confuse. But Malcolm makes for such a forceful character, it's easy to go along with whatever direction he's headed in.

Name : Kyle Smith / Alias : New York Post
As a comedy, the film isn't especially funny, and as a screwball drug caper a la "Go," it's raggedly plotted, with ridiculous coincidences popping up everywhere.

Name : Patrick Dunn / Alias : Detroit News
When so many black movie characters are simple stereotypes, it's a pleasure to see a film with real wit about the benefits and pitfalls of playing to and against those expectations.

Name : Dennis Harvey / Alias : Variety
The cast, drawn from comedy, rap, TV, modeling and other spheres, is sharply on form throughout, as is Famuyiwa's direction; the pic's esprit is amplified by every editorial trick in the book, from split-screen to freeze-frames.

Name : Rafer Guzman / Alias : Newsday
A freewheeling comedy about sex, drugs and identity politics.

Name : Alonso Duralde / Alias : TheWrap
This vibrant film is a bit of a mess, but it's a beautiful one.

Name : Jordan Hoffman / Alias : New York Daily News
The tone is fast and funny, with a modern "Risky Business" or "Ferris Bueller's Day Off" vibe, but there's an additional layer that stems from the violence of the neighborhood.

Name : Colin Covert / Alias : Minneapolis Star Tribune
It's downright dainty as far as plot, but a mostly tasty layer cake of drugs, jokes, sex, jokes, cool young cast members, jokes, 1992 hip-hop, cartoony characters, a heist and a lot more jokes.

Name : Julian Carrington / Alias : Globe and Mail
Even as Famuyiwa acknowledges the preconceptions that Malcolm's blackness engenders, he invites audiences to identify with the character on the basis of his relatable interests, aspirations and vulnerabilities.

Name : Mark Feeney / Alias : Boston Globe
"Dope" is too smart and lively to be dismissed. It's even original in its mixing of ingredients, however unoriginal those ingredients may be. But it's also unfeeling and, beneath its in-the-hood surface, as much a bit of artifice as a Wes Anderson movie.

Name : Kevin C. Johnson / Alias : St. Louis Post-Dispatch
"Dope" is funny, slick and sharp.

Name : Mick LaSalle / Alias : San Francisco Chronicle
Shameik Moore is a forceful, sympathetic locus, with an appealing gentleness of spirit that in no way seems entirely innocent. There's a drive there. As for Zoe Kravitz, she is having one terrific year.

Name : Lindsey Bahr / Alias : Associated Press
A fantastical, slight, and occasionally fun, hip hop-scored romp.

Name : Michael Phillips / Alias : Chicago Tribune
The tone of "Dope" is very interesting - funny, but rarely stupid-funny. The film does not wear its serious observations, about aspirations and realities and hypocrisies of all kinds (not just racial), in a heavy fashion.

Name : Bill Goodykoontz / Alias : Arizona Republic
The acting is uniformly good. This is Moore's first big role, and he delivers a performance both entertaining and believable.

Name : Joe Morgenstern / Alias : Wall Street Journal
If "Dope" were as earnest as Malcolm seems to be, you might expect it to be a bit of a bore. No worries on that count, though.

Name : Rene Rodriguez / Alias : Miami Herald
Here is the rare movie overstuffed with memorable moments that would have been better if there had been fewer of them.

Name : Robert Abele / Alias : Los Angeles Times
"Dope" is, in the end, just another unfunny grab bag of stereotypes. Don't believe the hype.

Name : Ignatiy Vishnevetsky / Alias : AV Club
In an era full of indifferent, cookie-cutter indies, an excess of ideas and personality is hardly a bad thing.

Name : Brian Truitt / Alias : USA Today
Dope digs into racial culture in a real way with Malcolm struggling with the fact that he doesn't fit being a geek or a menace to society, and it's a hoot to root him on as he finds his place somewhere in between.

Name : Alan Scherstuhl / Alias : Village Voice
Again and again, Dope puts us in Malcolm's Air Jordans, letting us sweat or fear or hope right with him.

Name : Ann Hornaday / Alias : Washington Post
"Dope" is the bomb.

Name : Peter Travers / Alias : Rolling Stone
Shameik Moore gives a smashing breakout performance in a comedy of social expectation that plays like an exhilarating gift.

Name : Dana Stevens / Alias : Slate
Dope's biggest strength lies in its affectionate and honest portrait of a different kind of young urban blackness than we're used to seeing on movie screens.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
It's a remorselessly entertaining, Frankenstein's monster of pop-culture borrowings and appropriations. So much so that it becomes very much its own thing.

Name : Andrew O'Hehir / Alias : Salon.com
"Dope" may be the perfect movie for the summer of 2015.

Name : Boyd van Hoeij / Alias : Hollywood Reporter
A funny and often intelligent crowd-pleaser about three geeks who get smart about drug-dealing.

Name : Joshua Rothkopf / Alias : Time Out
Writer-director Rick Famuyiwa . doubles down on an applying-to-Harvard satire that both upends demographic expectations while insisting (at times a bit strenuously) that we all aim a little higher.

Name : Cary Darling / Alias : Fort Worth Star-Telegram/DFW.com
Be sure to stay for the end credits. No other summer-movie credit crawl is going to get audiences dusting off their old Running Man and Cabbage Patch dance moves like this one. Take that, Jurassic World.

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Screen Of Taken 3

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Name : Peter Howell / Alias : Toronto Star
Taken 3 is such a blatant paycheque gig for Liam Neeson, you almost expect him to stop midmovie to deposit his loot into an ATM.

Name : Maggie Lee / Alias : Variety
The third and presumably final installment of the Liam Neeson action franchise is a mind-numbing, crash-bang misfire.

Name : Clarence Tsui / Alias : Hollywood Reporter
Besson's team has signed off the trilogy with a whimper rather than the kind of unfettered bang delivered by the first two films.

Name : Rafer Guzman / Alias : Newsday
Neeson's late-life rebirth as an action star may be drawing to a close with this limping, wheezing entry in the "Taken" franchise.

Name : Alonso Duralde / Alias : TheWrap
Megaton and editors Audrey Simonaud and Nicolas Trembasiewicz take every fist-fight, shoot-out and highway chase and shred them into milliseconds of mismatched visual information like something out of a latter-day Godard movie.

Name : Ignatiy Vishnevetsky / Alias : AV Club
Because Mills' hyper-competence never seems exciting, it instead becomes giggle-inducing.

Name : Wesley Morris / Alias : Grantland
A movie that thinks the way to earn our knuckle-biting is to be as dull as hell for 35 minutes, then send a giant shipping container hurtling along the interstate. But you yawn through that, too.

Name : Betsy Sharkey / Alias : Los Angeles Times
"Taken 3" is so unintentionally hilarious I couldn't help but wonder - do movie contracts carry a humiliation bonus clause these days?

Name : Mick LaSalle / Alias : San Francisco Chronicle
If you love the other "Taken" movies, you will like this. But if you're determined to love it, you'll have to talk yourself into it - and even then, it might not work.

Name : James Berardinelli / Alias : ReelViews
Taken 3 is exactly what one might anticipate from an unnecessary sequel in a mediocre franchise.

Name : Peter Travers / Alias : Rolling Stone
Be warned, sequel fanboys: This thing sucks! At 62, Neeson still has a glare that means badass. Nothing else makes a damn lick of sense. The only thing getting taken is the audience.

Name : Kyle Anderson / Alias : Entertainment Weekly
It's the weakest of the trilogy, but Taken 3 kicks just hard enough to survive another day.

Name : Randy Cordova / Alias : Arizona Republic
All kinds of problems are forgivable in a movie like this if the finished product is exciting. That doesn't happen here.

Name : David Hiltbrand / Alias : Philadelphia Inquirer
Nothing gets taken here except your ticket money.

Name : Nicolas Rapold / Alias : New York Times
The logy screenplay, by Luc Besson and Robert Mark Kamen, sags under head-clutchingly banal dramatic scenes. Only Mr. Neeson's appeal somehow survives unscathed, perhaps the most impressive stunt of all.

Name : Amy Nicholson / Alias : L.A. Weekly
All you need to know about Taken 3 is that Liam Neeson survives an explosive car crash - twice.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
The concept is lame, and the execution is lame, too. The more the film advances, the less we care about the plot - or anything that happens to anybody, really.

Name : Ben Sachs / Alias : Chicago Reader
Forest Whitaker turns in one of his sleepiest performances; no one else seems to be trying very hard either, yet director Olivier Megaton delivers some good chases, fist fights, and shots of Neeson looking glum.

Name : Richard Roeper / Alias : Chicago Sun-Times
​I'll tell you what got "Taken." A hundred and twelve minutes of my life got "Taken."

Name : Claudia Puig / Alias : USA Today
If you've seen Taken or Taken 2, you've already been taken, and there's not much different here.

Name : Tom Huddleston / Alias : Time Out
'Taken 3' scores over its predecessor on almost every level: the stakes are higher, the LA locations are nicely photographed and, best of all, there's an actual plot, with twists and everything.

Name : Joe Neumaier / Alias : New York Daily News
Here it's the audience that gets taken.

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