Name : Bilge Ebiri / Alias : New York Magazine/Vulture
A surprisingly moving tale of friendship and family, dressed up as an adorably frivolous sci-fi comedy.

Name : Maricar Estrella / Alias : Fort Worth Star-Telegram/DFW.com
Tim Johnson ( Antz) has capitalized on DreamWorks' proprietary animation platform, Apollo to create a rich, intricate setting.But the technology doesn't save the film from falling flat on other levels.

Name : Nancy Churnin / Alias : Dallas Morning News
Maybe it's because kids sometimes feel like aliens in a grown-up world, but from E.T. and Elliott to Lilo and Stitch, pairing a child with a creature from outer space can prove to be a winning combination.

Name : Betsy Sharkey / Alias : Los Angeles Times
Tension is one of "Home's" biggest issues. There just isn't nearly enough of it. Story is another. Even a kids' movie needs more complexity and more invention.

Name : Barbara VanDenburgh / Alias : Arizona Republic
Lazy gags, and it's been done better elsewhere.

Name : Dana Rose Falcone / Alias : Entertainment Weekly
The combination of Home's layered message, fun score, and clever comedy make it a colorful choice for moviegoers of any age.

Name : Geoff Pevere / Alias : Globe and Mail
A big, fat happy meal of a movie .

Name : Peter Debruge / Alias : Variety
From a creative standpoint, this is the studio's least exciting feature yet - hardly its worst, execution-wise, but entirely lacking in the risk-taking spirit that has spawned such successful franchises as "Shrek," "Kung Fu Panda" and "Dragon."

Name : Michael Rechtshaffen / Alias : Hollywood Reporter
There may be no place like home, but there are a lot of places like Home, an animated adventure about the unlikely friendship between a lonely girl and an alien misfit that can't help but feel familiar.

Name : Jesse Hassenger / Alias : AV Club
DreamWorks movies are often about outsiders learning that they don't have to fit in, a lesson the filmmakers may not have absorbed themselves.

Name : Lindsey Bahr / Alias : Associated Press
An earnest exercise that falls flat, despite the best of intentions.

Name : Stephen Whitty / Alias : New York Daily News
The Gummi-colored animation is imaginative, but director Tim Johnson's ho-hum 3D cartoon remains strictly 1D.

Name : James Rocchi / Alias : TheWrap
As animated sci-fi for small fry, it's a success whose modest but well-executed ambitions are no small part of its charm.

Name : Christy Lemire / Alias : ChristyLemire.com
Heartwarming and harmless? Sure, why not. But it's also numbing in its simplicity and often rather annoying.

Name : Tom Huddleston / Alias : Time Out
Inoffensive but flavourless, and crammed with familiar elements from better movies like Lilo and Stitch , Toy Story and Despicable Me .

Name : Tom Russo / Alias : Boston Globe
Director Tim Johnson ("Over the Hedge") and his animators can't maintain this level of freshness throughout, but that's where Parsons and his goofy charm take over.

Name : Neil Genzlinger / Alias : New York Times
A charming concoction with positive messages for younger children about conquering fears, understanding outsiders and knowing yourself.

Name : Rafer Guzman / Alias : Newsday
The film moves quickly and keeps the jokes coming, which only means that "Home" would rather keep young viewers occupied than give them something to think about.

Name : Colin Covert / Alias : Minneapolis Star Tribune
The bland "Home" is a crash pad at best.

Name : Richard Roeper / Alias : Chicago Sun-Times
Anyone over 10 will see the plot twists a mile away. Kids will probably enjoy the goofy Boovs, the rainbows of colors and the music. Call me a traditionalist, but I still say the world was a better place before those darn Boovs invaded.

Name : Ben Sachs / Alias : Chicago Reader
Aggressive and cynical approach to children's entertainment, pummeling viewers with mechanical-looking action sequences (which suggest video game demos), unfunny one-liners, and overly loud pop songs and sound effects.

Name : Michael Phillips / Alias : Chicago Tribune
I brought a couple of my kids, who liked it fine and found the friendship at the center rather affecting.

Name : Sandie Angulo Chen / Alias : Washington Post
This kiddie sci-fi adaptation doesn't quite live up to its evocative title.

Name : Sara Stewart / Alias : New York Post
Like the timorous Boov, "Home" has little interest in risk-taking.

Name : Soren Anderson / Alias : Seattle Times
It works moderately well thanks largely to the voice talents of Jim Parsons and, to a lesser extent, Steve Martin. Two droll dudes who put a fair share of funny into this animated picture.

Name : Linda Barnard / Alias : Toronto Star
Aside from Parsons' initially amusingly mangled Yoda-like English, which gets a tad repetitive, Home doesn't stand out as fresh or particularly funny.

Name : Claudia Puig / Alias : USA Today
Key characters are admirably diverse, but the fast-paced tale is thoroughly predictable.

Name : Joe Williams / Alias : St. Louis Post-Dispatch
When we scratch beneath the sugary surface, there's something tart inside that's difficult to digest.

Name : Sara Stewart / Alias : New York Post
The transparent title character from 2012's "The Woman in Black" is resurrected in this sequel, which abandons atmosphere for cheap scares.

Name : Ben Kenigsberg / Alias : New York Times
The director, Tom Harper, seems less interested in allegory than in monotonous, conventional goosing, the kind that involves flickering lights and a creaky rocking chair.

Name : Gary Goldstein / Alias : Los Angeles Times
The Woman in Black 2: Angel of Death is an improvement on its predecessor. That said, the new installment is, at best, a serviceable creep show, one with far more chills than thrills.

Name : Claudia Puig / Alias : USA Today
It's mostly deadly dull, and when it does liven up a tad, the haunted house tale offers only wan shock tactics.

Name : Kyle Anderson / Alias : Entertainment Weekly
The Woman may be back for another fright, but Angel of Death doesn't haunt like it should.

Name : Bruce Demara / Alias : Toronto Star
She's back, the Woman in Black, and it does give one pause to wonder if it's for no better reason than to scare up some more box office lucre.

Name : Alonso Duralde / Alias : TheWrap
Director Tom Harper and screenwriter Jon Croker offer up plenty of atmosphere, but every good idea this sequel has to offer winds up taking a backseat to the most obvious cat-in-the-closet "BOO!" moments imaginable.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
It's a dour, drab, dark movie, enlivened by some moderately effective chills in the first half but ultimately undone by its downbeat aimlessness.

Name : Simon Abrams / Alias : Village Voice
Flawed but genuinely creepy ghost story The Woman in Black 2: Angel of Death is disappointing, but only because it comes close to greatness.

Name : Justin Lowe / Alias : Hollywood Reporter
The material feels stale from nearly the first scene featuring the threatening old manse.

Name : Jesse Hassenger / Alias : AV Club
Redundancy is about all it offers, despite an entirely new set of characters and a story set 40 years after the early 20th-century original.

Name : Scott Foundas / Alias : Variety
A handsomely made but dramatically inert and not very scary sequel to 2012's surprise-hit ($127 million worldwide) Edwardian chiller.

Name : Jordan Hoffman / Alias : New York Daily News
The 1940s setting gives the film's first half some unearned gravity, but by the end the jump-scares and rote plot frightens away the good will.

Name : Tom Huddleston / Alias : Time Out
Predictable shock tactics, drippy wartime romance and scenes in which the characters leaf tremulously through Victorian photo albums and spout exposition.