Name : Steve Pond / Alias : TheWrap
It feels fresh because Nadine is so finely drawn and so distinctive.

Name : Owen Gleiberman / Alias : Variety
Steinfeld makes Nadine a hellion you can't tear yourself away from. She isn't just the star of "The Edge of Seventeen" - she's its center of gravity.

Name : Jon Frosch / Alias : Hollywood Reporter
Fast, full-hearted and graced with a beautifully modulated lead turn by Hailee Steinfeld, the movie takes the risk of playing it straight and sincere - and the risk pays off.

Name : David Ehrlich / Alias : indieWIRE
Pick a god, any god, and thank them for this movie.

Name : Christian Holub / Alias : Entertainment Weekly
Like all the best horror, The Other Side of the Door is concerned not just with what freaks us out on a gut level, but the deeply-repressed anxieties that truly terrify us.

Name : Geoff Berkshire / Alias : Variety
The type of sporadically silly and patently predictable horror pic that would look like filler on Syfy's weekend lineup, "The Other Side of the Door" brings virtually nothing new to the supernatural genre.

Name : Justin Lowe / Alias : Hollywood Reporter
Along with writing partner Ernest Riera, Roberts pilfers odds and ends of Hindu religious practices and folklore to construct a middling ghost story that traces a vaguely Gothic outline, only to follow a wearyingly derivative trajectory.

Name : Tom Huddleston / Alias : Time Out
So tasteless in its depiction of India that it makes 'Indiana Jones and the Temple of Doom' look like a triumph of racial awareness.

Name : Christy Lemire / Alias : RogerEbert.com
It might be trying to make a point. If so, it sure is hard to hear it over the noisy screeches and cheap jump scares.

Name : Dave White / Alias : TheWrap
There is Conjuring-style haunting. There's a creepy piano that plays itself. And there is an annoyingly liberal use of horror's cheapest gimmick, the jump-scare.

Name : Farran Smith Nehme / Alias : New York Post
As the title indicates, this follow-up is dealing with a somewhat blunter set of symbols than its predecessor. It's just as wrenching, though .

Name : Dana Stevens / Alias : Slate
[It] isn't quite documentary filmmaking, but it certainly (and sickeningly) isn't fiction either.

Name : Stephanie Merry / Alias : Washington Post
A . profoundly shattering movie.

Name : Walter V. Addiego / Alias : San Francisco Chronicle
It's a testimony to how much this is a live issue in Indonesia that some of the credits are listed simply as "anonymous."

Name : Chris Nashawaty / Alias : Entertainment Weekly
The Look of Silence in some ways manages to burrow deeper into your soul.and your nightmares.

Name : Alonso Duralde / Alias : TheWrap
Feels more like an extended DVD extra to Oppenheimer's genre-defying previous film than a stand-alone documentary.

Name : Wesley Morris / Alias : Grantland
What a combination of misery and uplift this movie is.

Name : A.A. Dowd / Alias : AV Club
The Look Of Silence is a powerful gesture of political rebellion, one whose boldest action isn't damning mass murderers to their faces, but being willing to believe that their stranglehold on country and history could be broken.

Name : Anthony Lane / Alias : New Yorker
"The Look of Silence" is a simpler work than "The Act of Killing," and a better one.

Name : Peter Rainer / Alias : Christian Science Monitor
My relief in watching this movie, which once again recounts the slaughters in great, almost fetishistic detail, is that at least the victims are allowed a voice this time.

Name : Kenneth Turan / Alias : Los Angeles Times
A shocking and significant film, a further illumination of one of recent history's great horrors, a documentary that will make a difference in the world. It is also an exceptionally difficult film to actually watch.

Name : Peter Howell / Alias : Toronto Star
The film is all the more potent for its restraint, as constant on the mind as the cicadas that sound throughout the unyielding night.

Name : Mark Jenkins / Alias : NPR
The Look of Silence . uses members of a single family to represent the millions of victims and survivors.

Name : Erik McClanahan / Alias : Minneapolis Star Tribune
While not as mind-blowing or surprising as "Killing," "The Look of Silence" is perhaps the more necessary film.

Name : Ty Burr / Alias : Boston Globe
There's a rage far beneath Adi's placid expression and the director's dispassionate style. It's not a rage for vengeance but anger at an all-consuming blindness.

Name : Nick Schager / Alias : Village Voice
Oppenheimer throws into sharp relief the contrast between Adi and the murderers' perspectives, and thus the terrifying tension that engulfs the country as a whole.

Name : Liam Lacey / Alias : Globe and Mail
The stories the perpetrators tell are hideous, but Adi proves to be a calm and unrelenting interrogator, even in the face of direct death threats.

Name : Stephanie Zacharek / Alias : Village Voice
If it's a far less flashy film than The Act of Killing, it's also a better and possibly more honest one.

Name : A.O. Scott / Alias : New York Times
Mr. Rukun is a quiet man, contemplating his family's tragedy more in sorrow than in anger. But this atmosphere has the effect of making the violence at the film's heart all the more shocking.

Name : Joe Morgenstern / Alias : Wall Street Journal
In a way, I wish I'd never seen "The Look of Silence," because now I won't be able to forget it. But that's the point .

Name : Joshua Rothkopf / Alias : Time Out
A superior work of confrontational boldness, it might be the movie Oppenheimer wanted to make in the first place.