Name : Molly Eichel / Alias : Philadelphia Inquirer
Goosebumps fulfills its purpose, and that's what matters.

Name : Inkoo Kang / Alias : TheWrap
Goofily self-aware and wholesomely boisterous, it's a children's picture whose sense of spooky fun readily diverts from its quibble-worthy messaging.

Name : Bill Goodykoontz / Alias : Arizona Republic
The film goes too wide and gets a little soft at the end, but not fatally so. It's the rare horror film - well, sort of horror - that you and your children can enjoy together.

Name : Geoff Berkshire / Alias : Variety
Turns an endearing collection of silly spooky stories into a busy, noisy, soulless eyesore.

Name : Tom Russo / Alias : Boston Globe
It's the best treat we've gotten this Halloween, and definitely not just a bigger-budgeted version of the "Goosebumps" seen on TV.

Name : Kevin P. Sullivan / Alias : Entertainment Weekly
It's a never-boring trip to a world, where stories and imagination are powerful tools, that just might inspire kids to do the scariest thing of all: pick up a book.

Name : Kate Taylor / Alias : Globe and Mail
It gently mocks the traditions of the genre - giant preying mantis rips roof off high school - while never getting too frightening.

Name : Nicolas Rapold / Alias : New York Times
"Goosebumps" would seem to yield the serial pleasures a voracious Stineophile might desire.

Name : Bruce Kirkland / Alias : Toronto Sun
This Goosebumps ride may be bumpy, but it works and it is worthwhile.

Name : A.A. Dowd / Alias : AV Club
As effects-heavy time-wasters go, Goosebumps is mostly harmless, even sporadically amusing. But it isn't likely to keep anyone up at night, out of fear or excitement.

Name : James Berardinelli / Alias : ReelViews
At a guess, I'd say that Goosebumps will satisfy its core audience - fans of R.L. Stine's popular children's books - and bore pretty much everyone else.

Name : Kyle Smith / Alias : New York Post
A special-effects extravaganza that skips over basics like coming up with an interesting origination myth for the creepy creatures who bring havoc to a sleepy suburb.

Name : Linda Barnard / Alias : Toronto Star
Jillian Bell's brief scenes as Zach's Bedazzling-obsessed singleton aunt are fun. So is Darren Lemke's solid script, which leans heavily on groaners and bad jokes to balance scares.

Name : Stephen Whitty / Alias : Newark Star-Ledger
The pace is great, with the last hour being an all-out monster attack, as all of Stine's creatures - a werewolf, zombies, a mummy, murderous garden trolls and a particularly sarcastic ventriloquist's dummy - go on the rampage.

Name : Alan Scherstuhl / Alias : Village Voice
The filmmakers, to their great credit, spend more than half the running time bending their studio tentpole release to the spirit of Stine rather than cramming Goosebumps into their template.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
It's a cheerful, nasty delight.

Name : Adam Graham / Alias : Detroit News
Goosebumps isn't detached or ironic, nor does it pretend to be something it's not. It's a bonus for fans who pored over the books and it celebrates the fun side of things going bump in the night.

Name : Glenn Whipp / Alias : Los Angeles Times
I have no idea as to the extent of the actual Stine's peculiarities, but just going from his weird, wonderful work, every scene in the movie feels authentic compared with the version I carry of him in my head.

Name : Stephanie Merry / Alias : Washington Post
The production values are better suited for a television movie, and the music, by Danny Elfman, is distractingly intrusive.

Name : Bill Zwecker / Alias : Chicago Sun-Times
Black gets to show us his ability to play nasty, distant and angry - all in a way we really have never seen from him before. The bottom line is: It works perfectly.

Name : Peter Hartlaub / Alias : San Francisco Chronicle
Happily, the filmmakers build a reservoir of goodwill in the first hour.

Name : Michael Rechtshaffen / Alias : Hollywood Reporter
An amusing, fearlessly over-the-top screen rendering of the book franchise.

Name : Peter Travers / Alias : Rolling Stone
Jack Black fires up a stampede of comic terrors ready made for Halloween. Sure it's exhausting. But Goosebumps, knowing its audience, lets it rip.

Name : Colin Covert / Alias : Minneapolis Star Tribune
A tongue-in-cheek love note to spook stories of yesteryear, "Goosebumps" is a kid-friendly crowd pleaser adults can love, too.

Name : Britton Peele / Alias : Dallas Morning News
Goosebumps is chock full of fun moments whether they're all logical or not, and it's an adventure that should appeal to both young viewers new the series and older readers who devoured them as kids.

Name : Sara Stewart / Alias : New York Post
The transparent title character from 2012's "The Woman in Black" is resurrected in this sequel, which abandons atmosphere for cheap scares.

Name : Ben Kenigsberg / Alias : New York Times
The director, Tom Harper, seems less interested in allegory than in monotonous, conventional goosing, the kind that involves flickering lights and a creaky rocking chair.

Name : Gary Goldstein / Alias : Los Angeles Times
The Woman in Black 2: Angel of Death is an improvement on its predecessor. That said, the new installment is, at best, a serviceable creep show, one with far more chills than thrills.

Name : Claudia Puig / Alias : USA Today
It's mostly deadly dull, and when it does liven up a tad, the haunted house tale offers only wan shock tactics.

Name : Kyle Anderson / Alias : Entertainment Weekly
The Woman may be back for another fright, but Angel of Death doesn't haunt like it should.

Name : Bruce Demara / Alias : Toronto Star
She's back, the Woman in Black, and it does give one pause to wonder if it's for no better reason than to scare up some more box office lucre.

Name : Alonso Duralde / Alias : TheWrap
Director Tom Harper and screenwriter Jon Croker offer up plenty of atmosphere, but every good idea this sequel has to offer winds up taking a backseat to the most obvious cat-in-the-closet "BOO!" moments imaginable.

Name : Bilge Ebiri / Alias : New York Magazine/Vulture
It's a dour, drab, dark movie, enlivened by some moderately effective chills in the first half but ultimately undone by its downbeat aimlessness.

Name : Simon Abrams / Alias : Village Voice
Flawed but genuinely creepy ghost story The Woman in Black 2: Angel of Death is disappointing, but only because it comes close to greatness.

Name : Justin Lowe / Alias : Hollywood Reporter
The material feels stale from nearly the first scene featuring the threatening old manse.

Name : Jesse Hassenger / Alias : AV Club
Redundancy is about all it offers, despite an entirely new set of characters and a story set 40 years after the early 20th-century original.

Name : Scott Foundas / Alias : Variety
A handsomely made but dramatically inert and not very scary sequel to 2012's surprise-hit ($127 million worldwide) Edwardian chiller.

Name : Jordan Hoffman / Alias : New York Daily News
The 1940s setting gives the film's first half some unearned gravity, but by the end the jump-scares and rote plot frightens away the good will.

Name : Tom Huddleston / Alias : Time Out
Predictable shock tactics, drippy wartime romance and scenes in which the characters leaf tremulously through Victorian photo albums and spout exposition.